Tuttle tries his hand at clay
June 29, 2011 § Leave a comment
June 29, 2011
After a successful etching collaboration in 2009, Gemini welcomed Richard Tuttle’s return to the Los Angeles workshop this month with open arms. Inspired to study the dynamics of clay in Southern California, Tuttle was interested in fabricating editioned tiles. The project, and Tuttle himself, was certainly influenced by the work of Peter Voulkos and Ken Price, founder and student of the ceramics department at Otis College, respectively. Also an inspiration to Tuttle was Sidney, as he spent years laboring over a potter’s wheel in night school and was a classmate of Elsa Rady’s at Chouinard Art Institute, now known as Cal Arts. Much of the important and vibrant history of clay in Los Angeles will be explored as part of the Getty Center’s Pacific Standard Time, at an exhibition called Clay’s Tectonic Shift at Scripps College opening in early January 2012.
During Tuttle’s visit to Los Angeles, celebrated photographer and LA native Jim McHugh stopped by the workshop and conversed with the artist while snapping a few portraits, and Tuttle also met with Print Curator Louis Marchesano while exploring the exhibition, Luminous Paper: British Watercolors and Drawings, at the Getty Museum. Understandably, Tuttle was intent on seeing this terrific show, as watercolor is regarded as one of the most challenging artistic techniques and certainly one that Tuttle has tackled in his unique works. Its liquid nature is capable of extraordinary effects of luminosity, but is often challenging for an artist to control. The exhibition presents works of the 1700s and 1800s by some of the greatest British masters of the medium, including Thomas Gainsborough, J.M.W. Turner, and William Blake, as well as an installation of three Yorkshire countryside watercolors by contemporary British artist David Hockney, bringing the tradition of the watercolor into the present day.
Tuttle’s clay project at Gemini should be resolved shortly and will likely consist of six series of tiles, each with black slip glazing, hand painted by the artist. It is with great anticipation that we look forward to presenting this work in New York later this year.